OBS at the Movies
HARRY BROWN 2010
Review by Ron Covington
HARRY BROWN is basically DEATH WISH thirty five years later
set in a British ghetto as opposed to NYC like the former film.
Just as DEATH WISH was relevant to the ‘70’s world, HARRY BROWN is
relevant to this millennium. Some issues are timeless,
unfortunately.
HARRY BROWN concerns
an elderly ex-marine whose ailing wife slips away in the hospital.
Harry’s best friend, Leonard, another feisty old guy, plays chess
with Harry everyday at the local pub. Leonard complains to Harry
how the local thugs have been harassing him and shows Harry a
bayonet he’s going to use in confronting the young punks. Harry
urges Leonard to go to the cops. Leonard says he’s already been and
it has done no good. Later Harry is visited by a policewoman and
her male partner. They tell Harry Leonard has been murdered. The
police question the suspected gang but can’t get anywhere. Harry
buys a gun from a local drug dealer and takes matters into his own
hands. What follows is logical but there are some interesting
political implications and an unexpected personal connection to
Leonard’s murderer.
This is a solidly written
crime drama that is very violent and unrelenting in it’s depiction
of brutality but it also focuses on character. This examination of
character gives the film a more focused story arc than DEATH WISH
which tended to be episodic.
Sir Michael Caine is
brilliant in the lead as is Emily Mortimer as a detective who seems
to be the only one who realizes or cares about the larger
implications of Harry rubbing folks out.
From a
writer’s perspective this is a good example of how a script can move
forward with minimal dialogue and strong visuals. Also there is
great care in presenting the details of Harry’s action. We feel
like we know this man without him telling us too much.
Ron Covington is a former Disney and
Cosby Writing Fellow. Currently with two TV projects and a stage
musical in development, he’s added executive producer to his skill
set.
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